Phantom of the opera
Scene
|
Sound and visuals
|
Colour and lighting
|
Effect
|
1
|
In the first scene
there is a picture and the sound of children playing and as the camera pans
in you see that the picture is moving and you enter the picture of the
children playing by a big grand looking opera house. The sound is mainly
diegetic sound such as the car horn and children’s laughter.
|
The scene is in
black and white whereas the credits are in colour so this must have been done
for a reason
|
The first scene
gives the effect that this happened a long time ago.
|
2
|
The second scene
shows an elderly man getting out of a car and being put into an old
wheelchair and being wheeled inside this grand opera house by a nurse, there
are again mainly diegetic sounds here as it is a quiet scene.
|
The colour is still
black and white
|
As you can hear a
whistle blowing in the background this signifies that this this be an
industrial area. You can also only see parts of the man in the wheelchair so
this leads the audience to wonder who he is and why they aren’t showing all
of him.
|
3
|
This scene shows
the inside of the grand opera house where an auction is happening. You also
see the mans face as he looks at a woman that he seems to know as they both
vie to buy a music box that seems to mesmerize them as it plays.. The auctioneers
voice echo’s in the vast opera house and just adds to the feeling of how big
and important the opera house is. The sound is still on-screen diegetic with
the auctioneers voice and some birds flapping.
|
The colour is still
black and white. The light being let into the gloomy opera house shows how
dusty and old it is.
|
This scene will
cause the audience to wonder how the old man in the wheelchair knows the
woman and why they are both trying to win the music box. The dust in the air
and the gloomy look to the opera house also adds to the feel that this is a
flashback or happened a long time ago.
|
4
|
This scene see’s
the next lot in the auction to be an enormous chandelier which is unveiled
from a dusty cloth and is somehow connected to the ‘legend of the phantom of
the opera’ as it is hoisted to the ceiling there is an explosion of sound as
the church organ of the soundtrack to the phantom of the opera (written by
Andrew Lloyd Webber) kicks in. this is in stark contrast to the near silence
of the scenes before.
|
As the chandelier
ascends and the music kicks in there is also an explosion of colour as the
whole opera house is seemingly revived as the colour washes over it,
brightening the whole scene up.
|
This may shock some
of the audience as it goes from steady near silence to a flurry of music and
colour, completely changing the pace of the film and its feel.
|
5
|
The scene then cuts
to the outside of the opera house where a black carriage pulls up outside and
two elegantly dressed men get out. The first man to get out seems to be a
younger version of the man in the wheelchair. As the other man comes up
alongside the other man they have a look of wonder on their face. All
throughout this scene the phantom of the opera soundtrack is still playing.
|
The scenes are now
in colour and it seems to be that the present day is set in black and white
and the past is in colour. This may be because the man in the wheelchair is
old and grey while in his youth he was a vibrant young man and he wants to
re-live those glorious days in all its colour.
|
The effect of this
scene may see the audience wonder how important this man is and what the
opera means to him.
|
6
|
This scene show sthe
bustling and busy backstage to the opera with people getting ready with
extravagant costumes and doing last minute preparation, going through lines
and sequences. The soundtrack is still playing in the background and just ads
to the sensory overload of the whole scene.
|
The whole
mise-en-scene is so overpowering, as there is so much to look at and so much
colours.
|
The effect of this
scene is that it shows the importance of the opera house and how much it was
used to put on grand operas night after night.
|
No comments:
Post a Comment